While Leary’s project would eventually fall through, Haring would nonetheless use the Amiga to create drawings in his vibrant visual language. In fluorescent hues, the digital works feature his ...

Scanning a drawing into a computer lets you preserve your drawings, which might otherwise erode on their original media, especially for newsprint and other acidic papers. Scanned drawings also make it ...

Edward Kienholz’s sculpture “The Friendly Grey Computer — Star Gauge Model #54” serves as both the beginning and end of the LACMA exhibit “Coded: Art Enters the Computer Age, 1952-1982.” (Sarah ...

“Coded: Art Enters the Computer Age,” an exhibition gathering 100 works that illustrate how artistic practices shifted with the emergence of computer technology beginning in the 1950s, opens at the ...

Ken Bowen brings art into the computer age for his Menchville High School students. He also has hustled the school into the forefront of high tech art instruction as a way to prepare students for ...

Should we look at digital, computer-generated artwork in the same way we evaluate performative happenings? Can electronic generative art be interpreted as performance with machines instead of bodies?

IMEC, Diagram of Neural Net: Foveated, Retina-like Sensor, Corresponding Silicon Microchip (1989), computer-generated plot on paper and silicon, .1: 36 1/4 x 36 1/4″ (all images courtesy the Museum of ...

We’ll send you a myFT Daily Digest email rounding up the latest Collecting news every morning. In 1968, the Californian abstract painter Frederick Hammersley was at an impasse. He had just moved from ...

The MFA Computer Art Department at the School of Visual Arts (SVA), in partnership with the New York Digital Salon (NYDS), presents “The American Algorists: Linear Sublime,” an exhibition exploring ...

The Inkling, fresh from the graphics brain of Wacom, hopes to make graphic artists out of everyday doodlers by automatically turning simple paper sketches into digital vector art. The Inkling operates ...

Roula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter. In 1968, the Californian abstract painter Frederick Hammersley was at an impasse. He had just moved from Los ...