The most arresting facet of Diamanda Galás’s music is that it treats terror as an affecting, illuminating experience. Her 1982 solo debut, The Litanies of Satan ...

Performances in N.Y.C. Advertisement Supported by Charles Ludlam’s camp tribute to Maria Callas, featuring the countertenor Anthony Roth Costanzo, is glamorous to a fault at Little Island. By Laura ...

Diamanda Galás Breaks the Listener with Broken Gargoyles: Here’s a shocking revelation for you: Diamanda Galás’ new album, Broken Gargoyles, is not a light-hearted, easy-listening romp. We discover in ...

There’s no greater surprise hit in the theater right now than Cole Escola’s “Oh, Mary!,” which continues to gross over $1 million a week even with other actors replacing Escola in the lead role of ...

Revisiting “The Divine Punishment,” the first album in a trilogy addressing AIDS, and at work on new music, the singer and composer is still exploring isolation in her singular, startling way. By ...

Diamanda Galás has shared “La Llorona,” the latest tease from her forthcoming live release, Diamanda Galás in Concert. The album, which features select recordings taken from performances at Thalia ...

Diamanda Galás is one of many musicians around the world who cites electric guitar innovator Jimi Hendrix as a pivotal influence — and one of the very few to go beyond him. “I was 18 when I saw ...

A faint spotlight beamed down on the Steinway, illuminating an empty piano bench and plumes of fog curling like smoke rings. The crowd hushed and waited. And kept waiting. There were hoots and hollers ...

Diamanda Galás, photo by Austin Young, graphic design by Robert Knoke. Negative print (2020) Invoking the facially disfigured soldiers of the first world war, operatically trained experimental singer ...